TikTok users in the US and the UK can now tag movies and TV shows in their videos. Each tag (up to five can be included per video) will point to an in-app page that includes details from the film or series, as well as some related videos.
This is all powered by a new partnership with IMDb, which is providing info including cast members, directors, genres, release dates, runtimes and user ratings for each movie and show. TikTok users can add films and TV series to the favorites tab of their profile too.
You can tag a show or movie when you tap the “add link” option right before you post a video. If you select “movie and TV,” you’ll be able to search the more than 12 million titles that are on IMDb and add the one you’re looking for.
This should come in useful for users who share a lot of movie and TV-related posts, as well as those looking for content about their favorite titles. So, if you share a clip from The Menu, a meme from The White Lotus or a Glass Onion explainer, you may not need to reply to people who drop a “what is this from 💀” in the comments. They can just tap the tag for more details (and then maybe watch The Menu, because it’s a blast).
Apple TV+ has offered a sneak peek at the second season of Foundationand revealed when the sci-fi series will return. More episodes of the show, which is based on Isaac Asimov’s series of books of the same name, will premiere this summer and will introduce the second crisis.
The clip opens with one of the main characters, Gaal Dornick (Lou Llobell), waking up in a stasis chamber that just happens to be in space. It’s a compelling start to a teaser that’s packed with eye-catching imagery. A terrifying creature pops up at the end, so be mindful of that if you’re jumpy.
The first season of Foundation arrived in the fall of 2021, so fans have had to wait quite a while for it to come back. Jared Harris and Lee Pace are among the stars who are returning for season two.
Apple’s latest Fitness+ updates are here, and it looks to be one of the biggest January releases for the service since it launched. A key new addition is kickboxing as a total-body cardio workout type, with sessions of 10, 20 and 30 minutes. It’ll be led by two Fitness+ trainers, Jamie-Ray Hartshorne and Muay Thai fighter Nez Dally, the first woman to compete in Thailand wearing a hijab.
Another key addition is the addition of Beyoncé to the Artist Spotlight series, including songs from her latest album, Renaissance. Starting January 9th, seven new workouts with her music will be available across cycling, dance, HIIT, Pilates, treadmill and yoga, Apple said. Fitness+ is also rolling out Artist Spotlight offerings from Foo Fighters (January 16) and Bad Bunny (January 23rd).
Also on tap are new episodes of Time To Walk, that helps motivate you on walks with stories from noted individuals like Dolly Parton, Shawn Mendes and others. The latest walk features actor Jamie Lee Curtis, as she “reflects on the importance of embracing life’s most unexpected moments, the transformative power of serving others in need,” and more, Apple wrote. Other guests arriving soon are Amber Ruffin, Jason Segel, José Andrés, Nina Hoss, Colman Domingo, Nathan Chen and Sheryl Lee Ralph.
Fitness+ is also unveiling a new meditation theme, Sleep, joining the existing library that includes Calm, Gratitude, Resilience, and Creativity. Those include a new program called “Introduction to Meditations for Sleep,” with four 20-minute meditations that conclude with five minutes of relaxing music.
And finally, it’s adding two new collections for inspiration and goal-setting. Those are “6 Weeks to Restart Your Fitness,” featuring a blend of workouts to help users onramp back into fitness after the holidays, available January 9th. The other is “Level Up Your Core Training,” with 10- and 20-minute core workouts using dumbbells, coming on January 23.
When you browse Apple Books for your next audiobook, you might come across a few titles with a note that says they were “Narrated by Apple Books.” That’s because the tech giant has released a catalogue of titles that make use of its new AI-powered digital narration service. The company said the service uses the advanced speech synthesis technology it developed “to produce high-quality audiobooks from an ebook file.”
According to The Guardian, Apple approached independent publishers who may be interested in teaming up for the project’s launch in recent months. Authors were reportedly told that the company behind the technology would shoulder the costs of turning their books into audiobooks and that they would be earning royalties. Apple, as secretive as ever, apparently remained unnamed at that point of the process and required partners to sign non-disclosure agreements.
In its announcement, Apple touched on how commissioning voice actors and producing audiobooks could cost writers and publishers thousands of dollars. For independent authors, especially those just starting out, it’s not always possible to spare that much money. But thing is, the audiobook market has grown tremendously in recent years — it earned $1.6 billion in sales in 2021, and experts reportedly believe the market could be worth over $35 billion by 2030. Authors wouldn’t only be missing out on potential income by not creating audiobook versions of their titles, but also the opportunity to build their brand and following while the market is still growing.
The tech giant said its digital narration technology will make audiobook creation more accessible. There is truth in that, and if the project turns out to be successful, it could change the future of audiobooks. Books narrated by a digital voice aren’t exactly new, though, and they’re typically hard to listen to due to how robotic they sound. David Caron, a co-producer at a large audiobook publisher in Canada, also raised an important point in his statement to The Guardian: “The narrator brings a whole new range of art in creating audiobook… They’re creating something that is different from the print book, but that adds value as an art form.”
At the moment, Apple offers authors two digital voices to choose from: One soprano and one baritone. They sound pretty human, based on the samples the company shared, but the sound clips were short and might not be a genuine representation of the whole audiobook’s quality. Apple is only accepting books in the romance and a limited number of other fiction genres for now. The books must already be available on Apple Books, must be in English and must pass and editorial review. It’s working to expand AI narration’s availability, however, and will soon offer it to nonfiction and self-development authors. The company will also launch two more digital voices for those genres. For now, you can listen to audiobooks that use Apple’s AI by searching for “AI narration” in Apple Books.
So that’s what Gran Turismo is really about. The first Gran Turismo teaser shows off sleek cars and angles ripped straight out of the game franchise, all from the lens of District 9 director Neill Blomkamp. Blomkamp helped introduce the short video during Sony’s CES 2023 show, where executives played up their plans to adapt even more game franchises to film and television. Gran Turismo is due to hit theaters on August 11th.
The film is based on a true story, apparently — it follows a teenage Gran Turismo player who uses his sweet gaming skills to become a real-world racecar driver. The teenager is played by Archie Madekwe (Simon from Midsommar), and the movie also stars David Harbour (Stranger Things), Orlando Bloom (the early 2000s) and Geri Halliwell (Ginger Spice).
The Gran Turismo movie has spent some time in development hell — much like the video game series itself, which has a reputation for being delayed. A version of the film was completely scrapped in 2018 after spending five years in development, and Blomkamp is the second director to be attached to a Gran Turismo project. However, things have moved quickly since development on the current movie started in May 2022, with filming wrapped by that December.
Gran Turismo isn’t the only game-film crossover project in the works at Sony. There’s a whole HBO series based on The Last of Us premiering January 15th, a Twisted Metal show heading to Peacock, and a film based on Ghost of Tsushima still to come.
Disney+ is bolstering its IMAX Enhanced films, including some Marvel Cinematic Universe movies, with another audio option. The streaming service will enable IMAX signature sound by DTS on select titles this year, offering viewers high-fidelity audio to…
In 2019, Twitter instituted a fairly strict ban on political and cause-based ads, effectively blocking politicians and organizations like PACs from running ads that prop up candidates, promote ballot measures or ask for donations. Now, the company is reversing that policy, announcing through the Twitter Safety account that it will relax those advertising rules.
We believe that cause-based advertising can facilitate public conversation around important topics. Today, we’re relaxing our ads policy for cause-based ads in the US. We also plan to expand the political advertising we permit in the coming weeks.
Previously, almost all political ads were banned, and cause-based ads that covered subjects like climate change or abortion were subject to various restrictions. The latter were barred from being marketed to custom audiences and age groups, for instance — and while raising awareness to topics was permitted, advocating support for specific legislation was not.
The announcement didn’t go into detail about the ad rules, stating instead that the plan is bring Twitter more in line with the political advertising standards of “TV and other media outlets.” Although it’s not completely clear what that means, its worth noting that TV and broadcast markets that use the public airwaves are required to follow certain FCC rules regarding political advertising that Twitter may not be subject to.
Either way, the change could help Twitter make up for the advertisers who left in the weeks following Elon Musk’s purchase of the platform, which saw brands like GM, Audi, General Mills and others pause advertising. As for Twitter, the social media company says that its making the policy change because it believes that “cause-based advertising can facilitate public conversation around important topics.”
Meta isn’t the only tech heavyweight making tools to help root out terrorist content. The Financial Times has learned Google’s Jigsaw is developing a free tool to help smaller websites detect and remove extremist material. The project, built with the help of the UN-supported Tech Against Terrorism, makes it easier for moderator teams to deal with potentially illegal content. The effort has the assistance of the Global Internet Forum to Counter Terrorism (founded by Google, Meta, Microsoft and Twitter), which offers a cross-service database of terrorist items. Two unnamed sites will test the code later this year.
As with Meta’s open source utility, Google’s tool is meant to assist sites that can’t afford to develop AI detection algorithms or hire a large moderation staff. That may be critical when the European Union’s Digital Services Act and the UK’s looming Online Safety bill will both require that site operators pull extremist content to avoid penalties.
Both Google and Tech Against Terrorism see their project as necessary to close a gap in countering online terrorist activity. Extremists and misinformation peddlers kicked off mainstream platforms frequently turn to smaller outlets that can’t always adequately police users. Ideally, this reduces the chances of terrorists finding safe havens.
There are limitations. Some social platforms have been reluctant to moderate content even when app store operators say it incites violence — Google’s tool won’t be very useful on websites that don’t want it. It also won’t stop terrorists from sharing material over well-encrypted messaging services or the Dark Web, where providers can’t easily snoop on data traffic. This might, however, make it harder to jump to online alternatives.
There’s never really been a shortage of reasons to spend less time on Twitter. Even before Elon Musk’s chaotic takeover, the platform was long plagued by misinformation, hate speech, harassment and other ills that made it less than welcoming.
There’s never been a better time to quit Twitter. The Elon Musk-induced chaos at the company has breathed new life into a crop of alternative platforms, and has inspired a new wave of competing efforts to win over disillusioned Twitter users.
Competition emerges
Of all the alternatives out there, none have benefited as much as Mastodon. The open-source service was created in 2016, and first gained notoriety in 2017, when some Twitter users were upset with changes the company had made to the functionality of @-replies. At that time though, it didn’t gain much traction outside a small base of hardcore enthusiasts.
That all changed from the second Musk announced he wanted to buy Twitter. Mastodon saw an immediate spike back in April and the momentum has only increased, according to the nonprofit. “Mastodon has recently exploded in popularity, jumping from approx. 300K monthly active users to 2.5M between the months of October and November, with more and more journalists, political figures, writers, actors and organizations moving over,” founder Eugen Rochko wrote in a recent blog post.
The service isn’t a perfect analog to Twitter. Its platform, which runs on thousands of servers, can make signing up a bit confusing. And a couple of the platform’s most popular servers, like mastodon.social, have at times halted new sign-ups due to surging demand.
But, as Rochko points out, the decentralized platform has become one of the top platforms of choice for some of Twitter’s most influential — and most followed — users. Tellingly, when Musk briefly imposed a ban on accounts promoting alternative social networks, Mastodon’s official Twitter account was the only social app to be suspended.
Mastodon is far from the only previously-niche app to get a boost from turmoil at Twitter. Other apps like CounterSocial, which has a Tweetdeck-like interface, and Tribel, which describes itself as a “pro-democracy Twitter alternative” have also seen an uptick in sign-ups.
There’s also a wave of competition from fresh upstarts. Post News, a new service from former Waze CEO Noam Bardin has also tried to capitalize on Twitter’s dysfunction. The service, which is currently invitation-only, rushed to launch an early version of its beta in November in hopes of drawing away disillusioned Twitter users. Post, which bills itself as a place “to discover, read, watch, discuss and share premium news content without subscriptions or ads,” has more than 610,000 people on its waitlist, according to Bardin.
Another app that’s emerged, seemingly out of nowhere, is Hive Social, an image-centric platform with a feed that looks more like Instagram than Twitter. The service was founded in 2019, and hit 1.5 million users in November, according to the company. The site has had some notable security issues, which it claims to have fixed, but has still managed to make an impression with Gen Z Twitter users.
Legacy platforms are also trying to seize the opportunity created by growing apathy for Twitter. Tumblr claimed to see a surge in new and returning users, according to Matt Mullenweg, CEO of parent company Automattic. The site has also made a habit of trolling Musk and his new policies for Twitter, including with the addition of a $7.99 “Important Blue Internet Checkmark” for users’ blogs. Mullenweg has also said Tumblr will adopt ActivityPub, the protocol powering Mastodon, to make the two services interoperable.
Meta is also keen to challenge its longtime rival. The company recently launched a new “Notes” feature within Instagram that allows users to share status updates at the top of their inbox. At 60 characters, it’s hardly a full-fledged Twitter alternative, but it might not be the last such feature we see from Meta. The New York Timesreports that the company has discussed several ideas to go after Twitter’s “bread and butter.”
The future for Twitter Quitters
It’s hardly the first time that unpopular decisions within Twitter have sparked an interest in alternatives. But in the past, surges to outside platforms have been relatively short lived. And most would-be competitors are still only a fraction of the size of Twitter.
Even with an influx of new users, Mastodon, Post News, Hive Social and Tumblr are still substantially smaller than Twitter. And, as unpopular and autocratic and Musk’s policy decisions seem, the idea of starting over on a new platform can feel daunting. Not everyone can easily rebuild their social graphs on alternative sites, and some may find the growing crop of Twitter clones to also be unwelcoming (this is especially true if you rely on accessibility features, as many of the newer platforms haven’t invested much in these features.)
Still, this particular moment feels different than other times when Twitter has struggled to keep disgruntled users around. For one, there are more choices than ever before for those looking for a reason to leave. But it’s also unique because there are more people actually active on these alternatives than ever before.